Wejdan Reda is one of seven curators behind the fantastic displays created by South Korean artist Kyung Hwa Shon The art installationsi nclude vivid abstract designs placed across the façade and open seating areas of a five-story building LONDON: It’s a long way from Jeddah to White City, but for Saudi national Wejdan Reda this part of London will always be special. Reda is one of seven curators behind the fantastic displays created by South Korean artist Kyung Hwa Shon, titled “Every Second In Between,” that are currently adding a shot of color and vibrancy to the area. The art installations, distributed across various new public spaces in White City, include vivid abstract designs placed across the façade and open seating areas of a five-story building. It continues with a large scale digital animation of the design. White City, an ethnically and economically diverse area, is named after the white marble clad pavilions of major exhibitions held in the district at the onset of the 20th C. In 1908, the area hosted the summer Olympics and other claims to fame include having been home to the BBC and its iconic Television Center and the stadium hoted the 1908 Olympics and was the temporary home to Queens Park Rangers Football Club. “It touches upon the sense of fragmentation and the chaotic aspect of White City, but also the beauty that exists within this chaos,” Reda told Arab News of the artist’s work. Shon is a PhD researcher in painting at the Royal College of Art. In her practice, she explores urban life experience using a wide range of mediums including installation, painting, drawing, sound, video and text. Reda will return to Jeddah after completing her Royal College of Art Master’s degree in curating contemporary art and is keen to put her studies to good use. “I will focus on working with artists. I hope to co-curate temporary public art exhibitions… It’s a very exciting time to be working in the arts in Saudi Arabia. There are a lot of opportunities, especially with the support of the government and surge in funding dedicated to the arts and cultural sector,” she said. She is proud that Saudi female artists are raising their profile within the Kingdom. “Around the world the exposure of female artists needs more work, but in Saudi Arabia we are doing well with that,” she said. “Many people in Saudi Arabia have supported me throughout my journey and I am very appreciative of that. My husband and my father have also provided me with an incredible support system. The tutors have been amazing and this whole experience has allowed me to further expand my knowledge in the curatorial field,” she added.