Exhibition of the week Hokusai: The Great Picture Book of Everything A unique cache of drawings by one of the world’s best-loved artists offers a closer look at the genius who created the Great Wave. British Museum, London, from 30 September Also showing Turner Prize Cooking Sections, Gentle/Radical, Black Obsidian Sound System, Array Collective and Project Art Work are the nominees for this year’s all-collective Turner. Herbert Art Gallery and Museum, Coventry, 29 September to 12 January Noguchi A mammoth survey of the great Japanese American modernist sculptor. The Barbican, London, 30 September to 9 January Gold of the Great Steppe An entrancing encounter with the nomadic peoples of east Kazakhstan around 2,700 years ago. Fitzwilliam Museum, Cambridge, from 28 September to 30 January Theaster Gates Art and ideas are flung together on the potter’s wheel by the radical Chicago artist in this exhibition about the uses of clay. Whitechapel Gallery, London, 29 September to 9 January Image of the week Untitled (mask 2), 2020, by Michael Craig-Martin Artist Michael Craig-Martin’s ongoing project to paint everyday objects in minimal style has embraced the ephemera of the pandemic, as revealed in his latest exhibition. What we learned The Jameel prize shortlist find subversive possibilities in Islamic art Betye Saar reversed and radicalised racist stereotypes … … and black UK artists have been energised by the Black Lives Matter movement The National Gallery of Australia has commissioned a $14m Lindy Lee sculpture Nick Brandt’s startling portraits showcase African animals – and humans – under threat Refik Anadol’s Machine Hallucinations is a public artwork about data privacy John Constable took it on the chin when asked to paint a neighbour Helen Frankenthaler’s woodcuts are transcendent Cameras are helping refugee children to heal Charles Jencks’ extraordinary pomo house is opening to the public … … and Greenwich’s Design District is open for business Yorkshire Sculpture International is under way … … and neon flickers back to life in Wakefield A Guardian documentary reveals how “nuns” canonised Derek Jarman … … while another film shows how Picture Post photojournalism changed Britain The UK National Gallery’s new chair is a Tory donor Designers are engaged in making smart toilets… … meanwhile, the British Rail logo’s green makeover is “a mess” The Ocean Photographer of the Year awards were announced All Aboriginal art is political Haley Morris-Cafiero’s guerrilla photos deal with body image Edward Thompson sees strange things in Kent Sponges, blood cells and sound-art feature in the UK’s first ever cancer research exhibition The race to crown China’s ugliest building is on Mass Isolation Australia made a visual record of its pandemic Sydney Powerhouse chief Lisa Havilah holds family treasures dear Photo Basel has gone colourful A Frida Kahlo self-portrait could set a new Latin American record We remembered potter Richard Batterham Masterpiece of the week The Louvre Under Snow, 1902, by Camille Pissarro You can see the echoes of Japanese prints by Hokusai and his contemporaries in this Impressionist picture of the floating world. Pissarro’s brush alights on the passing beauty of a winter white-out, observing central Paris from an apartment he rented for its great view of the Seine. The cinematic way he frames the scene, the sense of ephemerality and immediacy, even the joy in winter as a beautiful season all speak of Pissarro’s debts to Hokusai. He shares this enthusiasm with Van Gogh, Whistler and Monet. Japanese art hit Europe’s avant garde in the the 19th century like a great wave. National Gallery, London Don’t forget To follow us on Twitter: @GdnArtandDesign. Sign up to the Art Weekly newsletter If you don’t already receive our regular roundup of art and design news via email, please sign up here. Get in Touch If you have any questions or comments about any of our newsletters please email newsletters@theguardian.com