Netflix vampire movie has little going for it LONDON: Hitting screens in the Middle East and North Africa, Netflix’s latest horror action movie “Day Shift” could be about to disappoint. For the latest updates, follow us on Instagram @arabnews.lifestyle What is it with Netflix and sucking the life out of interesting new IPs? If it is not “Bright” or “Project Power,” it is “Outside the Wire” or “Thunder Force” — seemingly fascinating and original science fiction and fantasy movie ideas that wind up less than the sum of their parts? So it is with “Day Shift,” the streaming giants’ new horror-action caper starring Jamie Foxx as vampire hunter Bud, and Dave Franco as his nerdy union representative. The notion that vampire hunting could be a viable career path in the San Fernando Valley, with unionized payouts for turned-in fangs and a benefits package, is moderately entertaining. Unfortunately, stuntman JJ Perry’s directorial debut never gets beyond that initial premise, all-too-quickly devolving into a tonally nonsensical plot and script, one-note characters and wooden performances across the board — it says something when a cameo from Snoop Dogg is far from the worst performance in a movie. Even having watched it, it is hard to sum up what the movie’s plot is, or why Karla Souza’s rent-a-villain Audrey (a vampire real estate mogul … no joke) wants Bud and his family to suffer. In keeping with his stunt background, the only time Perry’s movie comes to life is during some of the more inventive action sequences. There are some interesting drone shots that keep one particular chase sequence zipping along, and the choreography of some of Foxx’s vampire slaying is suitably kinetic. But everything else feels depressingly derivative — this is every vampire movie you have ever seen before, only done worse, and stretched so thin that you can see where the script is playing for time before launching into the next predictably bombastic set piece. Much like many of its characters, “Day Shift” is a movie that needs putting out of its misery. We can only hope that, despite Netflix’s obvious quest for a new family of franchises, this one stays dead.