DUBAI: When French Algerian director Damien Ounouri was in his late teens, he knew he wanted to go into filmmaking. It was the 1990s and Ounouri consumed films by major Western directors such as Quentin Tarantino, Martin Scorsese, Oliver Stone and Brian De Palma. For the latest updates, follow us on Instagram @arabnews.lifestyle “For me, a new world opened in front of my eyes,” Ounouri told Arab News. “I felt that it was what I wanted to do in my life — to express my point of view, to tell stories and try to create emotions.” Fast-forward to 2022 and he is showcasing his latest directorial effort, “The Last Queen” — co-directed with lead star Adila Bendimerad — at Jeddah’s Red Sea International Film Festival, which partly funded the project. The film has already been screened at film festivals in Venice, Montpellier and Hamburg, but the Dec. 5 screening marks its MENA region premiere. “The Red Sea Film Festival is quite important because it’s the MENA premiere,” Ounouri said. “We didn"t screen it in Algeria yet. . . It"s a new, natural market.” Set in 1516, “The Last Queen” is a historical drama, narrating the story of the legendary Queen Zaphira (played by Bendimerad), wife of the last king of Algiers, who defends her people against the arrival of the conquering pirate Barbarossa. “We don"t know if she existed,” says Ounouri. “In Algiers, her story is well-known. . . Adila told me about her story, saying that this queen was fighting Barbarossa. Zaphira existed in books since the 17th century. With Adila, we worked a lot with a film that has a feminine angle. For me, it"s not feminism, it"s just humanism.” To properly capture this ancient era on film, shooting took place in Algeria"s museums, mosques and palaces in the cities of Algiers and Tlemcen. The film is full of sumptuous costumes — around 2,000 outfits were made for the production. Shooting began in March 2020, but everything ground to a halt due to the pandemic and filming resumed in October 2021. “There was a lot of pressure,” said Ounouri on the intervening period. “But we used this time to push the details and the quality. During one year-and-a-half, we worked a lot more on the set design and costumes and the film is better now.”