Year in review: The best TV shows of 2022, from ‘Severance’ to ‘Slow Horses’

  • 12/22/2022
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It didn’t get much pre-release hype, but this dystopian psychological thriller (laced with some black, black comedy) was one of the best shows not just of this year, but of the century. It centers around a group of employees at the sinister and secretive tech company Lumon Industries who have volunteered for a medical procedure that severs their non-work memories from their work memories. Mark (Adam Scott) leads a team of workers who uncover a conspiracy that affects them all. Disturbing, funny, shocking, emotional and thought-provoking in equal measure, as well as being beautifully shot and superbly acted, “Severance” was a true original. “Station Eleven” premiered too late in 2021 to make last year’s “Best of” list, but this 10-episode miniseries did run into 2022. It’s an adaptation of Emily St. John Mandel’s 2014 novel (with significant deviations from the book) set 20 years after a flu pandemic has caused civilization to collapse. While there are plenty of harrowing incidents post-apocalypse, “Station Eleven” is ultimately uplifting, warm and optimistic. It follows The Traveling Symphony — a small group of survivors who now make their living as wandering performers of music and Shakespeare plays. On their annual route of several settlements, they encounter a violent cult whose leader is inspired by the titular graphic novel, of which Kirsten — the symphony’s lead actress — is also a huge fan. Both Davis and Lawler (as the older and younger Kirsten respectively) turned in Emmy-worthy performances. This superb thriller about a family — the Byrdes — making a fortune (not always) reluctantly laundering money for a ruthless Mexican cartel got the ending it (and we) deserved in its fourth and final season, which was unbearably tense throughout and left us guessing right to the end as to whether buttoned-down Marty (Bateman) and ambitious Wendy (Linney) and their kids Charlotte and Jonah could really make it out alive and clean. As the season progressed, it was Marty’s former protégé Ruth Langmore (the magnificent Garner) who looked more likely to make that journey. “Ozark” will be missed. Even if it’s only accomplishment was bringing the brilliant Kate Bush back into the global limelight, season four of the Eighties-set sci-fi phenomenon would have been worth it. Happily, it was about way more than that. The show continued its ‘let’s-go-darker’ trajectory with its teenaged heroes facing their most horrific enemy yet: A humanoid demon called Vecna who brutalizes his victims. With three storylines taking place in three different locations (including Russia, where police chief Hopper was incarcerated), this was an ambitious, sprawling story arc from showrunners the Duffer Brothers. But they piled on the tension, the drama, the jeopardy and the thrills for the show’s best season yet. Comparisons between “Mo” and the Emmy-nominated “Ramy” are inevitable: Amer stars in “Ramy” and Ramy Youssef co-created “Mo” with Amer. And both shows are about the experiences of young Arabs in America, struggling to reconcile their Muslim heritage with the Western culture that has helped form them. But “Mo” was a triumph in its own right. The big-hearted, flawed, frustrated, charismatic hustler of a title character was someone you really wanted to succeed, even though he could be unlikeable. “Mo” was a very funny show, but also an important, thought-provoking one, covering topics including the Palestinian experience, religion, race, love, identity, duty versus desire, and the gap between the haves and have-nots with a light but intelligent touch that packed a punch without being preachy. Another superb show that came to a close in 2022. This prequel spin-off from the much-loved “Breaking Bad” has, incredibly, surpassed its forerunner. Odenkirk continued to excel in the role of a lifetime as lowlife lawyer Saul Goodman/Jimmy McGill, trying to hold everything together while his life is falling apart. And the flash-forward, post-“Breaking Bad” scenes were as well-judged and -executed as the rest of the series. Cast, crew and creators were all at the top of their game. A fantastic goodbye.

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