Exhibition of the week Lindsey Mendick: Sh*tfaced Ceramics and psychology come together in Shitfaced, a show about binge-drinking. And the fringe hasn’t even started yet. Jupiter Artland, near Edinburgh, until 1 October Also showing Paula Rego: Crivelli’s Garden How this revered artist drew on Renaissance art when she painted a mural for the National Gallery’s restaurant. National Gallery, London, from 20 July until 29 October Black Venus Dominant representations of Black women are challenged by Sonia Boyce, Kara Walker, Alberta Whittle and more. Somerset House, London, from 20 July until 24 September Cinga Samson Shadowy paintings from South Africa that suggest a history of violence and loss. White Cube Mason’s Yard, London, until 26 August Herzog & de Meuron Models and plans document the works of these architects who conjure the futurist sublime. Royal Academy, London, until 15 October Image of the week In his lifetime, New York billionaire Sheldon Solow assembled a $500m private collection of art, featuring pieces by Picasso, Lichtenstein and Cézanne. The works – which also include a ferocious crimson Basquiat, a monochrome Kline and a serene Henry Moore – have been kept secret for years but for select members of the public, the door is slowly being opened. Read full article here What we learned A Helsinki mayor has been busted spraying graffiti in a railway tunnel A group show about the body is full of grotesque detail but short of soul Film-maker Joel Coen has curated a new show by photographer Lee Friedlander Thousands of artists are being forced out of London by rising costs Architect Norman Foster praised Steve Jobs’s ability to ‘think across a great scale’ An appeal aims to save a derelict but ‘almost modernist’ 1941 RAF watching station A landmark show by Nan Goldin has opened in Australia Dürer painted himself into a Renaissance altarpiece in revenge Photographer Janine Wiedel captured the filth and glory of Britain’s industrial 1970s Mike Silva originally wanted to make paintings that looked like Black Flag sounded Arson appears to have destroyed celebrated sculpture Venus of the Rags Masterpiece of the week Landscape at Arleux-du-Nord by Jean-Baptiste-Camille Corot, 1871-4 The young impressionists were shaking landscape art when the elderly Corot painted this placid, rustic moment. But far from seeing him as a conservative dullard, the French avant garde recognised his intensity and originality. Corot, born in 1796, ploughed his own furrow, painting silent, calm, poetic rural scenes that straddle the Romantic age and the early years of modernism. This painting may even be subtly influenced by the impressionist appetite for strong sunlight. It’s a tender hymn to the French countryside by an artist who loved his national landscapes as much as John Constable loved Suffolk. National Gallery, London Don’t forget To follow us on Twitter: @GdnArtandDesign. Sign up to the Art Weekly newsletter If you don’t already receive our regular roundup of art and design news via email, please sign up here. Get in Touch If you have any questions or comments about any of our newsletters please email newsletters@theguardian.com