Exhibition of the week Richard Prince Early works by the postmodernist provocateur and appropriation pioneer. Gagosian Grosvenor Hill, London, until 22 December Also showing Titanosaur No one of any age should miss the last chance to see this jaw-dropping wonder, a dinosaur so big it boggles the mind. Colossal for the Christmas holidays. Natural History Museum, London, until 14 January El Anatsui The shimmering recycled hangings El Anatsui has slung up in Tate’s Turbine Hall make for a marvellous midwinter spectacle, thought-provoking as well as ravishing. Tate Modern, London, until 14 April Holbein at the Tudor Court Spooky seasonal atmosphere abounds in Holbein’s portraits of soon-to-be-beheaded courtiers and other Tudor ghosts. Queen’s Gallery, Buckingham Palace, London, until 14 April Turner in January Traditional New Year unveiling of JMW Turner’s fiery, sublime watercolours of swirling Romantic worlds. National, Edinburgh, 1–31 January Image of the week Hélène Amouzou’s self-portraits record her life after leaving Togo in 1992 and migrating to Europe, where she lived a precarious existence for many years without official status. Read the full review What we learned What happened when Andy Warhol met Joseph Beuys David Shrigley feels flattered when people steal his artworks Carla Williams’s self-portraits were inspired by finding her father’s porn collection Photographs of street art in Kyiv reveal the hopes and fears of Ukraine at war Dean Kelland has spent five years making art with prisoners at a therapeutic jail Karon Davis’s sculptures reveal the rigours of ballet for Black dancers Myriam Bat-Yosef, who brought a female focus to surrealism, has died aged 92 Wim Wenders’ latest film is an epic, 3D look at Anselm Kiefer Legendary photographer Elliot Erwitt, who died last month, used to bark at dogs Portraits of Kindertransport refugees rescued by Sir Nicholas Winton are on show at the National Portrait Gallery in London Masterpiece of the week The Adoration of the Kings by Dosso Dossi, circa 1527-9 Who are the three visitors who follow a star to find the newborn Jesus and feature in so many paintings of the Christmas story? The (modern) title of this painting calls them Kings but they were also thought of in the Renaissance as “wise men” or “Magi”, which can mean magicians. This painting with its mysterious night-time setting, strange light and spooky atmosphere definitely stresses their magical wisdom. As star-gazing sages they have used their astronomical or astrological knowledge to locate this ruinous cave-like stable hidden in overhanging foliage. The star that led them is an apocalyptic sphere dominating the night sky, tinting it pink under the blue clouds. They arrive with their gifts that look like alchemist’s potion jars. Dosso Dossi enjoyed painting witchcraft and magic: here he gives the Nativity itself an occult twist. National Gallery, London Don’t forget To follow us on X (Twitter): @GdnArtandDesign. Sign up to the Art Weekly newsletter If you don’t already receive our regular roundup of art and design news via email, please sign up here. Get in touch If you have any questions or comments about any of our newsletters please email newsletters@theguardian.com