Jerry Seinfeld is currently at saturation point, promoting his new Pop Tarts movie Unfrosted. Still a canny operator, however, Seinfeld understands that the last thing anyone in the world wants to hear about is his new Pop Tarts movie. After all, there is realistically only so much available media interest in a streaming period comedy film about a breakfast product. And so Unfrosted has taken something of a backseat to a much more newsworthy proposition: Jerry Seinfeld mouthing off for clicks. Until now, Seinfeld’s targets have included the film industry (the people he worked with “don’t have any idea that the movie business is over”) and his disdain for dabblers (“There’s nothing I revile quite as much as a dilettante”), despite being a man who has just directed his first film at the age of 70. True, he has also tried talking about things he actually enjoys, like his love of watching surfing videos on YouTube, but that isn’t really what gets the clicks these days. And so, with some inevitability, Jerry Seinfeld has pulled out the big guns and declared that the left is destroying comedy. Speaking on the New Yorker’s Radio Hour, Seinfeld said: “Nothing really affects comedy. People always need it. They need it so badly and they don’t get it. It used to be that you’d go home at the end of the day, most people would go ‘Oh, Cheers is on. Oh, M*A*S*H is on. Oh, Mary Tyler Moore is on. All in the Family is on.’ You just expected [there will] be some funny stuff we can watch on TV tonight. Well guess what? Where is it? Where is it?” Which isn’t entirely true – Curb Your Enthusiasm just wrapped up its 25-year-run with a universally beloved episode that Jerry Seinfeld was actually in – but it’s broadly valid. Despite the glut of streaming services that now run in addition to the major networks, a smaller and smaller percentage of their output is comedic in nature. One answer might be that people are turning online for faster, funnier, cheaper comedy that appeals directly to their tastes. But Jerry Seinfeld has other ideas. “This is the result of the extreme left and PC crap and people worrying so much about offending other people,” he explained, going on to state: “When you write a script, and it goes into four or five different hands, committees, groups – ‘Here’s our thought about this joke’ – well, that’s the end of your comedy.” The problem seems to be that too many people delight in performative outrage these days, and a well-intentioned joke might end up being taken out of context and being escalated to a cancelation-level event. Luckily, the extreme left wasn’t a thing back in Seinfeld’s day, which is why something as famously edgy as – let’s see – Cheers was able to stay on air for as long as it did. On the surface, this is an incredibly dreary thing to say, not least because it doesn’t fit Seinfeld as a performer at all. It’s hard to complain that you’re not allowed to offend anybody any more when your stock in trade is deliberately inoffensive comedy. Jerry Seinfeld is a man who has just made a film about some pastry. Unless all the clips and trailers have done a particularly good job of hiding a scene in which one character looks straight to camera and declares that all trans people are an affront to God, Unfrosted probably isn’t going to appall the delicate sensibilities of very many people at all. This is a man, remember, who is proud of his family friendly image. The 2011 HBO special Talking Funny has aged incredibly badly – it’s a roundtable discussion of comedy that features both Louis CK and Ricky Gervais – but Seinfeld’s contributions hold up. During his discussion, he defends his decision never to swear onstage, insinuating that it’s an easy way to get laughs. It’s a subject he followed up on a few years later, telling the Guardian: “A person who can defend themselves with a gun is just not very interesting. But a person who defends themselves through aikido or tai chi? Very interesting.” And let’s not forget that, when Seinfeld’s co-star Michael Richards ended his career with a racist rant onstage, Jerry Seinfeld not only brought him on Letterman to explain himself, but treated the incident with such grave intent that at one point he sincerely ordered the studio audience to stop laughing, telling them: “It’s not funny.” So there have always been gatekeepers to what is and isn’t funny. Indeed, in his own work Jerry Seinfeld has been one of the staunchest gatekeepers of all. Perhaps the problem here isn’t that the extreme left has a stranglehold on comedy. Perhaps it’s just that Jerry Seinfeld is getting old.